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Art Gallery of NSW
 

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Joseph Ga Hay Au
Cy Twombly

Framing question

Examine the minimal, loose and dissolving painting technique, adopted by each artist. Discuss how this approach draws the viewer's attention to the artmaking process. Discuss the sense of time, its movement and passing within both artworks. How is this conveyed? Investigate and compare the influence of other artists' work on both Twombly and Au. How does appropriation enhance the final work and further inform the concept of time? With this in mind, is there really such a thing as an original art work? Discuss.

Joseph Ga Hay Au - Learning to Breathe
02
Joseph Au

   
Learning to Breathe
Painting 3 pieces
 
St Joseph's College, Hunters Hill Learning to Breathe explores the melancholy and anxiety in the human condition. The paint, loosely applied to the surface, slides and saturates the canvas, representing the dissolving of the soul. The outline of the figures on each canvas strains the foreground, alluding to the physicality of the body engaged in the past.
The technique and composition of artist Cherry Hood have been a major influence on my perception of the amalgam of personal experience, subject matter and technique.
 
 
Itaya HIROHARU - Night procession of one hundred goblins

 
collection
art gallery of
new south wales

   

Cy Twombly (United States of America/Italy, b.1928)
Three studies from the Temeraire
1998-99
oil on canvas (triptych)
© Cy Twombly

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Joint acquisition with funds provided by the Art Gallery Society of New South Wales and the Art Gallery of New South Wales Foundation